Sacred Geometry:
GEOMETRY . VIBRATION . FORM . SPIN
From Miranda Lundy’s Sacred Geometry:
'Sacred Geometry charts the unfolding of number in space. It differs from mundane geometry purely in the sense that its moves, concepts and products are regarded as having symbolic value and meaning. Thus like good music, the study and practice of geometry can facilitate the evolution of the soul . . . the basic journey is from the single point, into the line, out to the plane, through to the third dimension and beyond, eventually returning to the point again, watching what happens on the way.’
From the Alpha to the Omega, with the evolution of consciousness happening on the way.
Geometry is the fabric, the matrix, of all that Is.
At its center is . . .
One . . . Still
Point
.
This center is
Everywhere
From this Stillpoint emerges
Movement
and
Life
A way to think about the Stillpoint is to envision a still, invisible, non-existent
.
at the center of all this movement.
The above images illumine standing wave patterns that arise within small samples of water as they are vibrated by specific frequencies in the audible range. From Cymatics: A Study of Wave Phenomena and Vibration, by Hans Jenny.
Cymatics
There is a special relationship between Frequency,
Vibration, Geometry, and Form.
Dr. Hans Jenny did much of the pioneering work of the study of this relationship, known as Cymatics. His work consisted of noting the effects of sound on a granulated substance that had been placed on a flat plate.
In response to the audible frequencies, the grains arranged themselves on the plate in complex geometric patterns, all adhering strictly to the dynamics of the generating tone.
Specific tones, or combinations of tones, will always produce specific patterns or combinations of patterns.
‘The science of Cymatics visually portrays vibration in action, giving us a glimpse into the infinite realms of creation. Cymatics makes perceptible to the senses certain processes and patterns that depict many of the universal principles which underlie the way things manifest, certainly in the realms of physical matter, but also in the very fabric of our lives. Being universal, these principles apply at every level of the human experience, from the physical, to the astral, mental, causal, right up to the truly mystical, or purely spiritual.'
John Michell's Heavenly City, redrawn from his 2009 book How the World is Made . . . and one can see the beginning of the
Movement
From How the World is Made:
‘The Heavenly City is a geometer’s name for the traditional diagram that represents the order of the universe and the numerical code that underlies it. There are many allusions to this diagram in ancient relics and writings . . . which provide the key to the long-lost science and philosophy that has, at various times and places, created the conditions for a golden age.
The Heavenly City contains the numbers, measures, shapes, proportions, and musical harmonies that are constant in nature. It presents a universe which reconciles all the opposite and disparate elements that comprise it.
It is an image of paradise, of the immanent perfection that can be found in every order of existence, from the cosmos to the individual.
This perfection is by no means obvious, but many people in all ages have glimpsed it, with the effect of changing their lives.
In the Heavenly City diagram visionary experience is combined with numerical and scientific reason to produce an active symbol of divine wisdom restored to Earth.'
Temple model based upon the geometry of the Heavenly City.
Consciousness . Vibration
Frequency . Geomety . Form
‘It has been said that if there is such a thing as a true universal language, it will most likely be expressed in the realms of mathematics, geometry, energy patterns and frequency.’
At the heart of all of it is the number
432
See the THE STILLPOINT PYRAMID section to understand why this is so.
Regarding frequency, just as one vibration can entrain another (tuning forks), so too can one thought affect the vibration of the ‘physical’ world. Much can be said about this, but nowhere has this been demonstrated so convincingly and beautifully as in the stunning photographic work of Japan’s Masaru Emoto. We see here, imprinted and held in the memory of water: The essential purity of untampered nature, the memory imprint of contamination, chaotic music, and kind and harmful thoughts.
Human beings, as well as the surface of the planet, are 70% water.
1. Sanbo-itchi Yusui spring water 2. Shimanto River, the last Clean River in Japan 3. Antarctic Ice
4. Biwako Lake, large polluted lake in Japan 5. Yodo River, passes through most major cities in Kasai, Japan 6. Bach's 'Air' for the G String
7. Heavy Metal Music 8. Fujiwara Dam, before offering a prayer 9. Fujiwara Dam, after offering a prayer
From an article by Liliana Usva, Mathematics Magazine:
'The strands of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes.
The designs of exalted holy places from the prehistoric monuments at Stonehenge and the Pyramid of Khufu at Giza, to the world's great cathedrals, mosques, and temples are based on these same principles of sacred geometry.
As far back as Greek Mystery schools 2500 years ago it was taught that there are five perfect 3-dimensional forms - the Tetrahedron, Hexahedron (Cube), Octahedron, Dodecahedron, and Icosahedron . . . collectively known as the Platonic Solids; and that these form the foundation of everything in the physical world.
Modern scholars ridiculed this idea until the 1980's, when Professor Robert Moon at the University of Chicago demonstrated that the entire Periodic Table of Elements - literally everything in the physical world - truly is based on these same five geometric forms.
In fact, throughout modern physics, chemistry, and biology, the sacred geometric patterns of creation are today being rediscovered. The ancients knew that these patterns were codes symbolic of our own inner realm and that the experience of sacred geometry was essential to the education of the soul.
Viewing and contemplating these forms can allow us to gaze directly at the face of deep wisdom and glimpse the inner workings of The Universal Mind.'
The five Platonic Solids, and the Table of Elements that are derived from these basic shapes - the patterns upon which all of manifestation is built - are derived from the primal
Still . Point
'With all vectors being exactly the same length and angular relationship, from an energetic perspective, the Vector Equilibrium represents the ultimate and perfect condition wherein the movement of energy comes to a state of absolute equilibrium, and therefore absolute stillness and nothingness.
Because of this it is the zero-phase from which all other forms and dynamic energy events emerge.'
This geometry is described by Buckminster Fuller below in his inimitable way (hold on to your hat):
The Vector Equilibrium is the 'zero phase . . . inexpressible inter-relationship of all universal events . . . the inherently invisible Vector Equilibrium self starts and ever regenerates life . . . . Zero pulsation in the Vector Equilibrium is the nearest approach we will ever know to eternity and God: . . . . the magical shape of the Vector Equilibrium transforms the octahedron into the square into the circle into the tetrahedron and so on forever . . . . [and] is the anywhere, anywhen, eternally regenerative event inceptioning any evolutionary accommodation and will never be seen by man in physical appearance. It represents the stillpoint. Yet it is the frame of the evolvement. It is not in rotation. It is sizeless and timeless. The Vector Equilibrium is a condition in which nature never allows herself to tarry. Ever pulsive and impulsive, nature never pauses her cycling at equilibrium – she refuses to get caught irrecoverably at the zero phase of energy. Everything that we know as reality has to be either a positive or a negative aspect of the omnipulsative physical Universe. The whole of physical Universe experience is a consequence of our not seeing instantly, which introduces time. As a result of the gamut of relative recall time-lags, the physical is always the imperfect experience, but tantalizingly always ratio-equated with the innate eternal sense of perfection – thus the mind induces human consciousness of evolutionary participation to seek cosmic zero.’
The next section, PROOF, expands on the idea that the Stillpoint is the portal between dimensions, between our world and the higher intelligence that created our solar system
. . .
and that the empirical evidence presented thus far is a communication, inviting us to respond by opening this portal, exposing humanity to the infinitely refined frequency of this higher consciousness.
.